Showing posts with label darren sylvester. Show all posts
Showing posts with label darren sylvester. Show all posts

Friday, 25 April 2008

making a studio

Darren's week 2 class really inspired me to give lighting a shot. I was scared! Pro lighting gear is expensive, and for people who know what they're doing! But then I realised, I've studied this all before, I understand it, I just have to begin experimenting and putting it into practice... otherwise what's the point. But then the issue of location dampened my excitement. I'd heard on the grapevine there's a couple of studio's on campus, one somewhere near architecture, and another somewhere else for the video art kids. Oh, and a bluescreen 'downstairs'. Before I could be bothered to put the peices together, Sharna told me how she was setting up a miniature studio in her shed. Brilliant. I have a double garage at home, no cars occupying it, because its a disaster storage zone.

Well it was time for me to do some ritualistic renovations. I needed a new workspace anyway.

The garage was littered with piles of boxes and miscellaneous junk, with a bit of space for sitting and cigarette smoking. I basically just moved it all to the left of the room, stacked everything to the roof, and threw some rubbish out. I did a lot of sweeping, eventually mopping and vaccuuming too.

I begun painting the plasterboard that covers most of two adjacent walls, and the ceiling... but then my paint ran out as had my funds. Luckily, the paint fairy visited me at RMIT and I was stocked up again. It's funny though how much pastels can appear ceiling white in a dark alleyway at four in the morning. The closest I had was something I would describe as 'institution/school white', aka grey. Maybe blue grey. But close enough to white for now. After all that hard work I realised I would need to seal the floor. Concrete dust was up my nose and I wanted an end to it. You should really apply it with spray, but while I still had my motivation on the best I could do was use the roller I'd just finished the walls with. Section by section, the opacity waned, the sealer ran low. It looks pretty bad but hopefully everyone that doesn't get me will just assume I was going for some kind of artistic aesthetic.

It was a big job. It took me several weeks, and it sometimes felt like it wasn't meant to be. The lowest point was the day I discovered the monster spiders. I'd encountered a few before this point, even a redback, but I have never seen anything like this scary mother. (Yeah, they alwasy had millions of babies along for the ride). I made my mum kill it. She had to use a shovel. It was quite possibly the scariest moment of my life since my teen ouija board days. I really have to remember to 'bomb' this place at some stage, I've now encountered three of these beasts and its not fun.

Anyway, all I really need to do now is get a ladder and finish cutting in the cornices and get some more white sheets to hide the ugly wall of junk.
Oh I'll also need some tools such as a desktop computer for my big computer desk, and some lighting and backdrop stuff would help... you know, the basics.

Monday, 31 March 2008

gursky, crewdson, sylvester

Our Future Was Ours Darren Sylvester 2005 lightjet print, ed. 6 90 x 120cm

While I'm thinking about genius artists that I love it's time to give a shout out to one of my all time favourite photographers, Andreas Gursky. He's again someone I really admire. The thing with people like him and Gondry and all your favourite artists is that they have original ideas, incredible and beautiful, yet somehow obvious. Like, why didn't anyone do that before? But I think with things like that, work that really works, and as a result, appears simple... is just a sign of effort and maturity and quality craftsmanship. Things I really value.

This year I want my work to be more textural... more elements in the images; richer, more cinematic. A bit of Gursky but perhaps more along the lines of Gregory Crewdson... but he's probably the most extreme example of staged photgraphs... so maybe a bit more Darren Sylvester (yep I'm a suck up ;) But really... the common thread I guess is consumer culture and suburban life, which will be big themes for me this year. I like the idea of finding things as they are, such as Gursky... but in reality I don't have the time or resources ($$) to get out there and find those really incredible shots, so I'm currently thinking I'll go more with the staged style and try to create the shots I want. That obviously costs money too (what doesn't), but I can be resourceful! Hopefully...

Chicago Board of Trade II Andreas Gursky 1999 C-type Print h: 81.5 x w: 132.6 in / h: 207 x w: 336.8 cm Matthew Marks Gallery
Gursky links:
White Cube
Postmedia

Untitled (North by Northwest), Gregory Crewdson Summer, 2004, Digital C-print, 64.25 x 94.25 in.
Edition 5 of 6. Image courtesy of the artist and the Ovitz Family Collection, Los Angeles
Crewdson:
Official website
Guardian
White Cube

Humans Evolve to Break and Disappear Darren Sylvester 2005 lightjet print, ed. 6 90 x 120cm
Sylvester:
William Mora
Johnson Gallery
ABC Arts